My article “Embodied Sonic Memories of Commuting Underground” was published in the Industrial Archeology Journal! Grateful https://www.sia-web.org/publications/ia-journal/ia-volumes-41-present/
Enjoy navigating in SOUNDING UNDERGROUND while it lasts until Dec 30, 2020, as Flash support will end in browsers. After 11 years of life online, I am now Working hard to keep it live!
Sounding Underground is a virtual environment that invites users to interact with the soundscapes of three underground public transport systems: London, Paris and México City. Commuters’ memories and imaginations are represented in sounds and images that have been selected by volunteer commuters through an ethnographic process. These sounds are assembled in a sound score that acts as a multimedia user’s interface. The score contains sonic features unique to each metro, as well as some shared sonic spaces. Sounding Underground also invites you to write memories in text, produced by listening. These memories are being published randomly in the “Listening and Remembering” page.
Symposium Abstract: “Sound moves: it drifts and coalesces, it is reflected and it is absorbed, it shifts in meaning and register. And we are moved by sound, too: we are startled or seduced, sound orientates us or disorientates us. As part of a broader ‘sensory turn’, sound is becoming the focus of investigations into our experiences of place and space. In “Sound Passages: Passages of Sound”, researchers will present different approaches to sound – as a map, as a junction between perceptual fields, as trigger for memory and imagination, as abstract and quotidian, as material for composition and installation, as a way in which we are located and dislocated in the contemporary.”
My talk is called “What is it to Sound Underground?”
Abstract of the talk:
Immersed primarily in sound and moved by machines, underground commuters embody daily a rich mixture of sonic contemporary spaces, which evoke memories of listening that involve ancient caves, industrialisation, human migrations, sound technologies, urban architecture, and infrastructure technologies. During research conducted between 2003 and 2009, in London, Paris and Mexico metros, commuters engaged in listening to their routine journeys exploring metaphors that reflected on their life, triggered by the complexity of sounds and the ritual of going underground. The journey became a social path for individual meditation.
Sounding Underground, the derived Internet-based multimedia artwork, appropriates the web platform as a digital social interface to link unique and shared sonic metro spaces. The interface invites the online listener to experience a defamiliarisation of something quotidian. By listening to real and imagined spaces, within the mixture of three cities, the listener can explore a new journey through in-between sonic spaces that interweave human/machine relationships, and urban cultures of sounding, evoking deep social, cultural and political feelings from the inner experience of sounding underground.
Performing ‘Sounding Underground’ yesterday in the Panel “Film, audio and multimedia programme: symbiosis: sound, vision and the senses” at the Association of Social Anthropologists UK and Commonwealth Conference at Exeter University
Other great sonic works such as “The Mouth of the Cave and the Giant Voice: sound, text and voice in Okinawan war memory” by Angus Carlyle and Rupert Cox and “Govindpuri Sound: an ethnographic audio documentary” by Tom Rice were also there. Great time for exploring relationships between sound, text, image and the ethnographic experience!
Exhibiting at NetArt Citizens!
Commemorating 150 years of the construction of the London Underground, the Centre for Metropolitan History (IHR), in association with the London Transport Museum organised the conference ‘Going Underground – travel beneath the metropolis 1863-2013’. Here perspectives from artists, architects, historians, engineers, and commuters were brought together to reflect on the past, present and future of this iconic urban infrastructure.
Here you can listen to the podcast of the paper I presented in the conference on the 17th of January, 2013:
Here you can listen to all the papers presented at the conference:
Many thanks to the organisers for bringing together all the people who have been fascinated with the underground environment.
Contribution to the project John Cage x 100: http://www.eartotheearth.org/johnx100.html
Amongst many interesting soundscapes…
(En español abajo)
Sounding Underground was presented last weekend in the Internet Auditoriums Symposium, along with Networked Migrations. The spaces that these two projects create can be understood as Internet Auditoriums. Here the abstract of the paper. In the symposium we were listening to Interconnected Auditoriums which create a space for collective listening, using the Internet or not, with and without wires; listening collectively to the body (in hammocks), listening to the cloud, listening to real-fiction in Berlin, listening to twitterscapes, listening to the dreams, listening to all abilities, listening to Brazil, listening to sounds of childhood, listening to the tiny movements of the Big Ben, to Venice, and to the musicality of the languages that is extracted from the non-sense. We also listened to the strike and the protest in Nantes against the construction of the Airport. Interconnected listening makes the nature of sounds migratory, do we travel with them?. Rich, ethereal, complex, fragile, metaphoric, poetic and politic auditoriums. A delicious time of learning in Nantes! Many thanks to Locus Sonus team and to all the participants! and to the city of the giant Elephant!
Networked Migrations fue presentado el fin de semana pasado en el Symposium Internet Auditoriums, con Sounding Underground. Los espacios que estos dos proyectos crean pueden ser entendidos como Internet Auditoriums. Aqui esta el abstract de la presentación. En el Symposium escuchamos Auditorios Interconectados, los cuales crean espacio para la escucha colectiva, usando o no el Internet, con y sin cables; escuchando colectivamente al cuerpo (en hamacas), escuchando a la ‘cloud’, escuchando a ficción-realidad en Berlin y a twitterscapes, escuchando a los sueños, a todas las habilidades, escuchando a Brasil, y a los sonidos de la niñez; también a los sonidos imperceptibles del Big Ben, a Venezia, y a la musicalidad de los idiomas que se extrae del sin sentido. Escuchamos también a Nantes en huelga, en protesta por la construcción del aeropuerto. Escucha interconectada hace que la naturaleza de los sonidos se vuelva migratoria, viajamos con ellos?. Ricos, etéreos, complejos, frágiles, metafóricos, poéticos y políticos; así son estos auditorios. Un tiempo delicioso de aprendizaje en Nantes! Muchas gracias, merçi! al equipo de Locus Sonus y a todos los participantes! y a la ciudad del elefante gigante!
Un día de taller en el Centro Veracruzano para las Artes – CEVART compartiendo percepciones de la ciudad con 22 talentosos artistas de diversas disciplinas, explorando el inmenso y bello puerto de Veracruz – México en silencio. Este taller fue parte del Primer Encuentro de Arte Transversal.
An intense day workshop in Centro Veracruzano para las Artes – CEVART sharing perceptions of the city with 22 talented artists from diverse disciplines exploring the immense and beautiful port of Veracruz- Mexico in silence.
Gracias a todos los participantes!!!