What is it to Sound Underground? in Sound Passages: Passaggi di Suono

Sound Passages: Passage di Suono

Very honoured of being part of this Symposium with the CRiSAP team and in collaboration with the Doctorate in Architecture, City and Design at the University Iuva di Venezia.

Symposium Abstract: “Sound moves: it drifts and coalesces, it is reflected and it is absorbed, it shifts in meaning and register. And we are moved by sound, too: we are startled or seduced, sound orientates us or disorientates us. As part of a broader ‘sensory turn’, sound is becoming the focus of investigations into our experiences of place and space. In “Sound Passages: Passages of Sound”, researchers will present different approaches to sound – as a map, as a junction between perceptual fields, as trigger for memory and imagination, as abstract and quotidian, as material for composition and installation, as a way in which we are located and dislocated in the contemporary.”

My talk is called “What is it to Sound Underground?”

Abstract of the talk:

Immersed primarily in sound and moved by machines, underground commuters embody daily a rich mixture of sonic contemporary spaces, which evoke memories of listening that involve ancient caves, industrialisation, human migrations, sound technologies, urban architecture, and infrastructure technologies. During research conducted between 2003 and 2009, in London, Paris and Mexico metros, commuters engaged in listening to their routine journeys exploring metaphors that reflected on their life, triggered by the complexity of sounds and the ritual of going underground. The journey became a social path for individual meditation.

Sounding Underground, the derived Internet-based multimedia artwork, appropriates the web platform as a digital social interface to link unique and shared sonic metro spaces. The interface invites the online listener to experience a defamiliarisation of something quotidian. By listening to real and imagined spaces, within the mixture of three cities, the listener can explore a new journey through in-between sonic spaces that interweave human/machine relationships, and urban cultures of sounding, evoking deep social, cultural and political feelings from the inner experience of sounding underground.


Keynote Speaker – ISSTA 2015

ISSTAKeynote2015.jpg


Symbiosis: sound, vision and the senses – ASA 2015

Performing ‘Sounding Underground’ yesterday in the Panel “Film, audio and multimedia programme: symbiosis: sound, vision and the senses” at the Association of Social Anthropologists UK and Commonwealth Conference at Exeter University
Other great sonic works such as “The Mouth of the Cave and the Giant Voice: sound, text and voice in Okinawan war memory” by Angus Carlyle and Rupert Cox and “Govindpuri Sound: an ethnographic audio documentary” by Tom Rice were also there. Great time for exploring relationships between sound, text, image and the ethnographic experience!Screen Shot 2015-04-15 at 14.41.35


NetArt Citizens

Exhibiting at NetArt Citizens!

Screen Shot 2015-03-18 at 14.19.48


Sonic memories as embodiments of technological infrastructure

'Collective Womb' By Ximena Alarcón

‘Collective Womb’ By Ximena Alarcón

Commemorating 150 years of the construction of the London Underground, the Centre for Metropolitan History (IHR), in association with the London Transport Museum organised the conference ‘Going Underground – travel beneath the metropolis 1863-2013’. Here perspectives from artists, architects, historians, engineers, and commuters were brought together to reflect on the past, present and future of this iconic urban infrastructure.

Here you can listen to the podcast of the paper I presented in the conference on the 17th of January, 2013:

Listening and sounding in the London Underground: sonic memories as embodiments of technological Infrastructure

Here you can listen to all the papers presented at the conference:

https://historyspot.org.uk/podcasts/going-underground-travel-beneath-metropolis-1863-2013

Many thanks to the organisers for bringing together all the people who have been fascinated with the underground environment.


John Cage x 100

Contribution to the project John Cage x 100: http://www.eartotheearth.org/johnx100.html

Amongst many interesting soundscapes…


Internet Auditoriums – Locus Sonus

(En español abajo)

Sounding Underground  was presented last weekend in the Internet Auditoriums Symposium, along with Networked Migrations. The spaces that these two projects create can be understood as Internet Auditoriums. Here the abstract of the paper. In the symposium we were listening to Interconnected Auditoriums which create a space for collective listening, using the Internet or not, with and without wires; listening collectively to the body (in hammocks), listening to the cloud, listening to real-fiction in Berlin, listening to twitterscapes, listening to the dreams, listening to all abilities, listening to Brazil, listening to sounds of childhood, listening to the tiny movements of the Big Ben, to Venice, and to the musicality of the languages that is extracted from the non-sense. We also listened to the strike and the protest in Nantes against the construction of the Airport. Interconnected listening makes the nature of sounds migratory, do we travel with them?. Rich, ethereal, complex, fragile, metaphoric, poetic and politic auditoriums. A delicious time of learning in Nantes! Many thanks to Locus Sonus team and to all the participants! and to the city of the giant Elephant!

Networked Migrations fue presentado el fin de semana pasado en el Symposium Internet Auditoriums, con Sounding Underground. Los espacios que estos dos proyectos crean pueden ser entendidos como Internet Auditoriums. Aqui esta el abstract de la presentación. En el Symposium escuchamos Auditorios Interconectados, los cuales crean espacio para la escucha colectiva, usando o no el Internet, con y sin cables; escuchando colectivamente al cuerpo (en hamacas), escuchando a la ‘cloud’, escuchando a ficción-realidad en Berlin y a twitterscapes, escuchando a los sueños, a todas las habilidades, escuchando a Brasil, y a los sonidos de la niñez; también a los sonidos imperceptibles del Big Ben, a Venezia, y a la musicalidad de los idiomas que se extrae del sin sentido. Escuchamos también a Nantes en huelga, en protesta por la construcción del aeropuerto. Escucha interconectada hace que la naturaleza de los sonidos se vuelva migratoria, viajamos con ellos?. Ricos, etéreos, complejos, frágiles, metafóricos, poéticos y políticos; así son estos auditorios.  Un tiempo delicioso de aprendizaje en Nantes! Muchas gracias, merçi! al equipo de Locus Sonus y a todos los participantes! y a la ciudad del elefante gigante!


La Veracruz Intangible – Arte Transversal

Un día de taller en el Centro Veracruzano para las Artes – CEVART compartiendo percepciones de la ciudad con 22 talentosos artistas de diversas disciplinas, explorando el inmenso y bello puerto de Veracruz – México en silencio. Este taller fue parte del Primer Encuentro de Arte Transversal.

An intense day workshop in Centro Veracruzano para las Artes – CEVART sharing perceptions of the city with 22 talented artists from diverse disciplines exploring the immense and beautiful port of Veracruz- Mexico in silence.

Gracias a todos los participantes!!!



Women and Identity Group Exhibition

Women & Identity Group Show 2011 from Deep Listening Institute on Vimeo.

Proud of being amongst this group of women. Three screen shots of Sounding Underground are being exhibited here: L’affichiste, Lirio Popular, and While you Wait. These are accompanied by gardens in summer, roots of strings in white sand, warming hands and faces in vibrant colours, and elegant women’s heads drawings and sculptures. Stills from performances, life and more life and its cycles. The music “The Horns of Hathor” (Pauline Oliveros and IONE) joins this video-dream.

http://deeplistening.org/site/content/women-and-identity-group-show


Arte Transversal – Transdisciplinary Art – Mexico

See English – below

A principios de Junio tuve el placer de compartir mi experiencia de creación transdisciplinar y de enseñanza a nivel de Master, en el Primer Encuentro de Arte Transversal en el Centro Nacional de las Artes – CENART, y en el Centro Veracruzano para las Artes – CEVART. Mi charla se tituló “Justo en el Medio, prácticas creativas con tecnologías y sus vertientes transdisciplinarias”. Aquí puede acceder a la presentación.

El innovador Diplomado Tránsitos es ofrecido para profesionales de las artes, quienes desarrollan sus proyectos con una estructura no usual, empezando por los nombres de las estructuras modulares llamadas nodos, y la variedad de oportunidades de aprendizaje que los estudiantes tienen. Esta flexibilidad ofrece el campo perfecto para la creación de ideas innovadoras y proyectos donde las artes y disciplinas se cruzan. Es un espacio de práctica pedagógica dinámica. Proyectos como “El Hoyo” y “Todo lo que brilla es oro”, son resultado de práctica transversal.

English

In June I had the pleasure to share my experience as transdisciplinar artist and programme leader in the IOCT Masters in Creative Technologies (in 2010), during the first Summit of Arte Transversal, in the CENART (National Centre for the Arts), in Mexico, City, and in the CEVART (Centre for the Arts in Veracruz). The title of my talk: “Just in the Middle, creative practice with technologies and their transdiciplinary crossings”. Here, you can access to the presentation.

The innovative postgraduate course Tránsitos is offered to arts proffesionals, who develop their projects in an unusual structure, with Modules that offer variety of learning experiences. The flexible structure offers the perfect environment to create innovative projects where arts and other disciplines criss-cross. Projects such as “El Hoyo” and “Todo lo que brilla es oro”, are the result of this practice.

Exhibición "El Hoyo"

Exhibición "El Hoyo" por Marie-Christine Camus y Neil Ruzic en CENART, México DF

Exhibición "Todo lo que brilla es oro" CENART Mexico DF

Exhibición "Todo lo que brilla es oro" CENART Mexico DF, por TRES y Cinvestav