I had the pleasure to teach a session about Networked Musical Performances in the Performance Technologies Module in the Masters of Creative Technologies at the Institute of Creative Technologies, De Montfort University.
It’s very interesting how our perception changes when we are conscious of the distance of the performance space (through telematic networks) and the effects that it has for the sonic interaction. We focus more on listening, and some students were attracted by the idea of intimacy. It allows to combine multiple media and sensibilities. Beautiful experience!! Thanks to all students.
A slide show of the experience by the film maker and student Tove Noorjahaan Dalenius.
Curated by Sadee Brathwaite from La Leona Arts
“100 Artists/100 Dreams is an international dream exploration project focusing on recurring, prophetic and creative dreams and featuring visual artists, performers and musicians from across the globe. ”
I am proud of being part of this fabulous project. I hope that Sounding Underground becomes a catalyst of dreams.
Por Jose Luis Carles:
“Hoy iniciaremos una serie de programas dedicados a presentar los resultados los trabajos presentados en dicho Encuentro y lo haremos empezando con la propuestas realizadas por la artista colombiana Ximena Alarcon. El trabajo que vamos a presentar de Ximena es un proyecto sobre paisaje sonoro titulado ‘Sounding Underground’. ‘ Sounding Underground’ es un espacio virtual que une los paisajes sonoros de tres sistemas subterráneos de transporte público: London, Paris y México DF, y con ellos la experiencia cultural de las ciudades contemporáneas. Las memorias de pasajeros y su imaginación están representados en sonidos e imágenes que han sido capturados y seleccionados a través de un proceso etnográfico.”
Escucha / Listen to radio Program at: http://www.rtve.es/podcast/radio-clasica/la-casa-del-sonido/
“Sound is a very special tool for identification. According to Ximenia Alarcón’s work it is one of the key perceptions for recollecting and giving things a meaning.”
I had the great experience of giving a talk in the festival Visiones Sonoras organised by the CMMAS in Morelia – México. Sounding Underground makes connections between people and their current or lost acoustic environments. Interesting questions about its performative function, and the possibilities of the networks are still in my mind. I enjoyed the emphasis placed on the instruments and objects in all the pieces of the Electroacoustic Concert 5 , it connects me more with the performance.
One day later, I presented a paper about Sounding Underground in the IV Encuentro Iberoamericano de Paisaje Sonoro organised by the Fonoteca Nacional in Mexico City. A very diverse and interesting cross-disciplinary and cross-arts reflection about “Paisaje Sonoro” (Soundscape). Excellent speakers and attendants, a learning experience about listening and creating: Whales, Flamencos, Veracruz, San Juan Potosí, Islas Resonantes, Bells (Chile and Mexico), Cartography Mobile experiences, Water, an Electroacoustic concert in 10.0 and lessons about Silence.
Last but not least, I attended to the American Anthropological Association AAA Conference in New Orleans, as speaker in the Session: “Perception, production and circulation: Sensory Ethnography through media” organised by Julia Yezbick and Aryo Danusiri from Harvard University. Sensory Ethnography is a new field where Sounding Underground experience fits very well, and gets nourishment from Anthropology.
Thanks to all the organisers and great people that I met through all these three wonderful events.
Organised by Andrew Sempere. Thanks!
My three words… listening, underground, migration… I think.
and my tweet:
“Democracies should be undemocracies”
Keynote speaker: Amanda Palmer!!
Great people, talks and conversations.
Hoping to follow and maintain links!
“Sounding Underground: Listening, performing and transforming” was the paper given in the Annual International Conference of the Royal Geographical Society in London. The Session “Sonic Methods” organised by Michael Gallagher and Jonathan Prior, was a rich environment to share different methods that study our acoustic experiences and their cultural and artistic value. At the end of the day we had a one minute recording experiment with loop tapes. A real challenge!
The Theme of the conference was sustainability, and perhaps this last exercise proposed by Michael Gallagher, is a representation of old media and its degradation, the qualities of degradation and a technology that records just one minute making of it ephemeral in the recording but rich in the experience. If you just have one minute in a tape to record, what would you record?
This experience is so refreshing in this digital world where “memory” is a commodity, as regards machines, and our own “memory” can get lost in a (too much) over information. The importance of reflect, and listen to each moment as if it was the last minute available to listen…
I had the great opportunity to be one of the four participants in the workshop Network Musical Performance Workshop: Technical and Artistic strategies to perform around the globe, led by Juan Pablo Cáceres at CCRMA – Center for Computer Research in Music and Acoustics at Stanford University.
This workshop has been keen to contextualize the Improvisation “Listening and Remembering” within the Sounding Underground environment, and to envision its development over the Internet.
A summer Sounding, Dreaming, and Listening with the whole body. Deep Listening is a wide and profound listening practice and philosophy developed by the composer Pauline Oliveros, who works in collaboration with the artist IONE and the performer Heloise Gold.
I lived a 20th Annual Retreat engaged in collaborations for performance, improvisations, and dreaming, while breathing fully the Spanish soundscape in Nau Coclea and connecting with all participants and the world that surrounds us. The atmosphere of Deep Listening nourishes deeply Sounding Underground: its conception, artistic and performative practice and research.
Thanks to all!
Sounding Underground participated in the Festival Internacional de la Imagen organised by the Faculty of Design at the Universidad de Caldas in Manizales, Colombia. This is a great International event which I would like to attend personally next year. I felt proud of participating for the second time. First with the Interactive Sonic Environment – London, and this second year with Sounding Underground – London, Mexico and Paris.